Reverb: All Valhalla DSP are amazing and crazy good priced.
My favorite and most commonly used plugs are:Ĭonsole: Slate VCC, sometimes Sonimus stuffĬhannel Strip: Waves SSL, Brainworx bx_console, Slate VMRĬompressors: Waves CLA Classic comps, Waves Puigtech, Slate VBC Nothing wrong with using them for most of your needs. I don't really like the GUI (or lack of) on the stock Reaper plugs but they are good and perfectly useable.
Reaper plugins pro#
I am not aware of any other Audio software that can use Pro Tools plugins maybe there are. Reaper can use many types but not ProTools ones.
Reaper plugins license#
You may use the discounted license if: You are an individual, and REAPER is only for your personal use, or. The license price depends on how you use it. That would be my first recommendation to cover pretty much all your needs. Protools uses ( to my knowledge, it may have changed )its own type of plugin. A new license includes free upgrades through REAPER version 7.99. I'm not a fan of the subscription model in general but what you get for that price is increadible. I've used lot of the Slate stuff for years and his new $14.99/month total bundle deal is a stupid good price. I use Pro Tools the 90+ % of the time but also Reaper. The very high majority of plugins will work with almost all DAWs so Reaper compatibility isn't too much of a worry. That's not to say it's perfect, and there's a lot of stuff I miss from Reaper (especially the totally computer-friendly pipeline-style busses), but I'm doing a whole album in Mixbus now and I don't think I'll be going back to Reaper. And the Mixbus compressor/eq are as good as anything I've tried as a plugin. It's easy to mix in a fairly natural-feeling way, as opposed to Reaper, where I'm constantly digging to get to plugins to get the sound I want. Plus I'm finding the "console style" interface really refreshing - compressor there, eq there, fader there.
Whatever magic they're doing in their hardware emulation is stunning. Simply import a track from Reaper to Mixbus, and it's noticeably different - warmer, for lack of a better word. Quite simply, it sounds better (please no "It's just ones and zeros" nonsense). Izotope Ozone for mastering, although other mastering suites probably work just as well.īut frankly, I'm in the process of ditching Reaper in favor of Mixbus. I've used one to lend real weight to a lone acoustic guitar on a track, with fantastic results. They're really for the master buss or broad tone-sculpting rather than precise EQ, but the Pultec design does absolute magic to the bass. Or any other Pultec-style eq (I use a Lindell PEX-500, which I like a little better). Speaking of Stillwell, I use the Major Tom compressor on almost every track I record (and Stillwell has a special pricing deal for Reaper-only users).
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